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Made In The Berkshires! Review

The ‘rave’ by artist Joe Wheaton and Anne G. Fredericks was included in a review by Chris Rohman of the New England Public Radio News.

Listen to the full review here: http://www.nepr.net

New England Public Radio News writes:  ‘For many people, arts in the Berkshires are synonymous with the big summer events– Tanglewood, Jacob’s Pillow and the four major theater companies.  But the region is also home to many independent performers, writers and visual artists.  New England Public Radio’s Chris Rohman reports – their work is the focus of an off-season festival now underway called Made in the Berkshires.

Made in the Berkshires

Anne G. Fredericks will be featured in “Made in the Berkshires”.  She has collaborated on a ‘rave’ with artist Joe Wheaton. Anne took over 600 photos of the Berkshires which Joe Wheaton has melded into a multi-projector ‘rave’.

Don’t miss the opening event on October 14th, 2011 7:30 pm at the Colonial Theatre.

Made in the Berkshires, a brand new original works festival, will take place this October at both the Colonial as well as the Unicorn Theatre at BTF. It will feature cutting-edge theatrical works, live music, film, short stories and dance in a festival atmosphere like no other. New and innovative pieces will be created and presented by local Berkshire County playwrights, actors, directors and performers. Broken up into two hour blocks, Made in the Berkshires will allow audiences to get a look at the breadth and depth of the artistic talent that has landed in Berkshire County while celebrating the best in the visual and performing arts. The festival will be curated by Hilary Somers Deely and Barbara Sims, two local artists who have helped create the rich cultural tapestry that permeates the Berkshires.

Made in the Berkshires Schedule of Presentations and Artists and Block Titles

The Gallery will show the art of Berkshire visual artists in the lounge area off the Colonial Lobby during the run of the festival. 
The participating artists are:

  • Bart Arnold
  • Susan Dibble
  • Autumn Doyle- video running as a loop on lobby monitor/ and framed images on wall below.
  • Kinney Frelinghuysen
  • Pat Hogan
  • Cynthia Wick
  • Michael Boroniec
  • Nick Mongiardo
  • Chris Hogan

October 14th Colonial Theatre

Opening Night of Made in the Berkshires (sponsored by Wandering Star Handcraft Brewery, Kate Baldwin Catering and Berkshire Mountain Distillers)

A Taste of Made in the Berkshires

7:30 p.m.

  • Welcome and Introductions
  • Music: Concerto for Highland Bagpipe and Virtual Orchestra– composed by Peter   Taussig, performed by Nancy Tunnicliffe
  • Film: Jay at Hatchery Hill by Sanjiban Sellew
  • Film: A Brief Visual Berkshire Rave by Joe Wheaton and Anne G Fredericks
  • Dance: Rain choreographed by Anni Crofut
  • Poetry: Indium Blues and Notes from the Seventh Decade, by Elizabeth Elliott and read by the poet
  • Short Scene: Again With the Rhapsody Oscar by Daniel Klein
  • Music: Robert Oakes and Katherine Smith
  • Short Play: A Headlong Act of Love by Richard Berlin
  • Short Play: Feathertop by Nicki Wilson and Andrew Joffe
  • Music: Viva La Diva medley, book by Bobby Houston and music by Randy Courts
  • Aerial Artist: Abigail Elwood and Beat Boxer: Simeon Bittman

9:00 p.m. Party in the Colonial Lobby

  • A Taste of the Berkshires- Local wines and goodies
  • Spatial Atmospheres – Joe Wheaton and Anne G Fredericks

October 15th, BTF Unicorn Stage

1-3p.m. New Play Premiere

  • The Last Tree on Easter Island
    by Sean McHugh
    A wonderful satirical look at the politics of big business versus the environment

4–5:15p.m.The Shorts: Berkshire Writers and Their Stories

  • Short Story Coming Home by Mary Mott, read by Mary Mott
  • Short Play Invasive Species by David Scribner
  • Short Story King Toot by David Anderegg
  • Short Play Alice’s Profile by Maria Nation
  • Short Story Jacob’s Vessel by Larry Robbins (read by Jeffery Borak)
  • Short Story The Nut Game by Larry Robbins
  • Short Story Memory in Bones by Sanjiban Sellew

7p.m. Birthday Boy

October 16th Colonial Theatre

Poetry and Motion: Berkshire Poets and Choreographers present their latest work in a wonderful blend of words and dance

1-2:30 p.m.

  • Poetry Moving the Brook by Dennis Pollock
  • Poetry Rabbits by Dennis Pollock
  • Dance Lift Ev’ry Voice, Wired, Django choreographed by Olga Dunn
  • Poetry My Mother Was Superstitious by Michelle Gillett
  • Poetry Love Poem 137 by Michelle Gillett
  • Poetry How to Resuscitate a Bird by Michelle Gillett
  • Poetry Ghazal by Michelle Gillett
  • Dance: The Queen Years choreographed by Anni Crofut
  • Poetry Sad Cave Resplendent by Poncho Pelligrosso
  • Poetry I Just Want to Say Hi by Poncho Pelligrosso
  • Poetry We will Find a Way by Poncho Pelligrosso
  • Dance Melting Pot, excerpt from One Potato, Two Potato choreographed by Dawn Lane

4-5:30  Young and Talented: Emerging young writers, film makers and composers

  • Music Chris Considine guitar and vocals
  • Film Bonding by Nannina Gilder
  • Short Play The Life Logic of Mr Lampilla by Tadd Gero
  • Film Live Out Loud by Jennifer Gomez
  • Film Sound of Snow by Autumn Doyle
  • Music Rap by Antonio Maclellan

7-9 p.m. Musical Notes

  • The Jewish Jazz Project led by Paul Green
  • Divinitress with Erin Laundry and Tistrya Hamilton
  • Billy G and the Bluezone led by Billy Gilbert
  • Dave Bacon led by Dave Bacon

October 21 BTF Unicorn Stage

1-3p.m. New Play Premiere: The Cuckoo’s Egg by Emily Fulop

  • The female Cuckoo places her eggs in the nests of other, unknowing birds, leaving her young to be raised by the “foster parents”- but will it work for humans as well?

7-9 The Edge: Two cutting edge performance piece and two short works that push the boundaries!

  • The Life Logic of Mr. Lampilla by Tadd Gero
  • habitat (de) fragmentation by Stefanie Weber and the Creatures of Habitat Physical Poetry Performance Project
  • The Memory of Bones by Sanjiban Sellew
  • Dark Meat on a Funny Mind by Wesley Brown
  • Lucia by Frances Benn Hall

October 22 Colonial Theatre

2p.m.-4p.m. Make Sure Its Me by Kate Wenner, NEW PLAY PREMIERE

  • In this compelling new play, award winning producer Kate Wenner explores what happens to those soldiers are not killed outright or outwardly injured in the Iraq war, but who are exposed to intense IED blasts over and over again.
  • Followed by a panel discussion, moderated by Jim Frangione.

October 22 BTF Unicorn Stage

8-10p.m. New Musical Play premiere

  • Viva La Diva by Bobby Houston and Randy Courts
  • This exuberant, rollicking musical from Oscar winner Bobby Houston follows the lives of Lolita and her family of drag queens and cabaret stars as they live and love “underground” in Castro’s Cuba!

October 23 BTF Unicorn Stage

2-4p.m. Viva La Diva (One More Time!)

4 p.m. Closing Party with Joe Wheaton and Anne G Fredericks’ images and music, A Brief Visual Berkshire Rave

For complete schedule and ticket information please visit:  www.thecolonialtheatre.org

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Artist Book – Hindostani

In the previous blog I reported on my art group, and their decision to make books to stimulate creativity
This very small paper book, HINDOSTANI, (approximately 3″ wide x 2 1/2 ” high) was another effort for this project.

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The cover of the HINDOSTANI book was made of very fine colored rice paper which came from a Japanese calendar I received each New Year from a friend in Tokyo. The small glass beads came from my grandmothers stash of beads and buttons, they were over 100 years old when I used them. A moon shaped button became a sikh crescent. Part of the project was to use what one already had to make the book–nothing bought, nothing prefab. You can see the big stitches made using regular binders thread. The title came form an incomplete set of the 1910 edition of the ‘Encyclopaedia Britannica’ that I owned
(the correct spelling!)

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Opening-I chose the photos, without text, on an entry about India. The ‘Encyclopaedia’ was printed on very fine paper, like a thinner version of the printed Japanese rice paper.

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I was trying to use a new form for this book, a small book that would open into something larger.


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4th opening–the book fully opened (or is it) to show 5 majestic examples of Indian architecture. I created the random ink patterns around each picture, my imprint. The blackness of the ink stood out from the greyed images held within.

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Central image–the Taj Mahal–of course!

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A Tower image surrounded by a fake sanskrit pattern I devised

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In the border, a garland pattern which could have been used to adorn the massive columns in the picture.

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Beneath each picture is a hidden text describing the buildings illustrated on the overleaf.

Each is named again.

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More quick ink drawing around the title for each illustrated building–hidden away.

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To finish the book, I made a small sheath in another patterned rice paper. The gray and white pattern relates, in my mind, to the photos held within. The paper was so tactile and the format a nice surprise. To sit quietly, cutting and drawing, gluing and stitching did allow my mind to flow over a number of ideas and images that I would use later in my other artwork. My hands were exercised as well as my eye. Book making has been a great pleasure
in times when other projects were not flowing or a big idea was just to much to pursue.

News

The Berkshire Eagle
By: Kate Abbott

0609 Berkshires Week 6-9 (Page 3)

Lucy Gray, a San Franscisco based artist will be using Anne G Frederick’s artwork in her upcoming art project “Genevieve Goes Boating,” Fort Mason, SF, CA, 2011 – 2012

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Exhibitions and Events

Artist and Designer Anne Fredericks will curate a show at The Berkshire Botanical Garden

Bird Necessities: Outdoor Installations by Artists and Designers
June 11 through labor day
opening reception: June 11 th from 5:30 – 7:00 pm
tickets are $ 25 and can be purchased from the Berkshire Botanical website: http://www.berkshirebotanical.org/events/index.html

This exhibition explores ways to provide birds with food, shelter, habitat and the artful assistance in attaining them. Curator and artist Anne Fredericks is joined by Naomi Blumenthal, Dale Culleton and Jon Piasecki.

All of the participants in this show are active members of the Berkshire community and have a special feeling for the terroir. As citizens, they have worked in different areas to preserve aspects of our local environment: tree species, view-scapes, gardens, historic sites, and indigenous woodland environments. As artists, they have each developed a personal oeuvre that is deeply rooted in nature.

For more information call: (413) 298-3926

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I began hanging out bits of yarn and string for the birds to use in their nests when I was a young girl in Michigan. I delighted in finding the colors neatly woven into the fabric of the nests when the autumn came along.

When I moved to Massachusetts in the early 1990’s, I often found nests on my farm with the cornflower blue yarn that the young neighborhood girls used to braid their horses and pony manes with for the local horse shows. I would also find long fibers from blue tarps in the nests-the birds had unraveled some of the tarps that covered the wood pile. It was then that I revived the practice of putting out yarn, string, old fabric scraps, netting and tinsel in small ‘pavilions’ that I hung form the trees each spring. This is the background for the show that I was asked to curate this summer for the Berkshire Botanical Garden.

For the show, I designed and fabricated 3 copper pavilions to hang high in an old apple tree at the garden. As the limb I was using was quite high, I oversized the pavilions to create the right effect. In addition to the same things I put in my smaller pavilions, there was lots of room to add horsehair collected over the winter, sheep’s wool collected from our paddock, raffia and chamomile stems from my herb garden. Nothing goes to waste, nothing needed to be purchased.

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Fabric scraps from design projects-cut and tied to be used in a ‘pavilion’

IMG_7060Raffia, cotton batting, linen scraps , and recycled produce nets in process

IMG_7063The pavilions in process in my Botanica where I work on plant based projects, and where I process my herbs and store winter vegetables

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Tying off the pavilions in the apple tree -I had two fantastic Eagle Scouts help me with the knots and hanging the pavilions safely. My husband Marc Fasteau and photographer Tom Zetterstrom

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Inspecting the hanging pavilions

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All finished-swaying in the breeze and already attracting the interest of wrens who have been choosing items for their nests

Anne G Fredericks is the curator for the current show at the Berkshire Botanical Garden entitled: ” Bird Necessities: Outdoor Installations by Artists”. This exhibition explores ways to provide birds with food shelter habitat and artful assistance in attaining them.

Along with Anne the other artists are Naomi Blumenthal, Dale Culleton, and Jon Piasecki. All of the participants in this show are active members of the Berkshire Community and have a special feeling for the terroir.

As citizens they have worked in different areas to preserve aspects of our local environment: tree species, view-scapes, gardens, historic sites, and indigenous woodland environments. As artists, they have each developed a personal oeuvre that is deeply rooted in nature.

The exhibit will be on view from Memorial day until Labor Day. The opening party is Saturday June 11, 5:30-7:30.

For more information go to: http://www.berkshirebotanical.org

0609 Berkshires Week 6-9 (Page 3)

By Kate Abbott from the Berkshire Eagle

Artwork

Raven
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Raven Detail Wheat

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Art Collecting

“Live with the things which have meaning for you” — Anne Fredericks

Over the years, I have purchased art which now constitutes a ‘collection’. I appreciate things which are well-crafted, regardless of the medium. Clear line, clear colors, humor. I value art made by people who allow themselves to be seen in their creations. This means their work is not a copy of something else or art that is made to fit neatly into someone else’s predetermined ‘art’ box. I like artists who use their medium to express ideas or who are interested in putting their expressive stamp on a landscape or scene. Many of the pieces that I have collected have been made by artists who have subsequently become friends or who I know as a consequence of having purchased their art.

The first painting I bought was by a woman named Elaine Gifford. This small mixed-media piece is built around a hand-colored map and rubber stamped images of Indians. I found this image very evocative and comforting. It has traveled with me to my many homes, both permanent and temporary over the last 30 years. Even looking at it today, I get a sense of joyfulness and delight that never fades. I followed the career of Elaine and bought one other piece of hers but it was this first piece that I have always chosen to accompany me.

I read a story when I was a teenager about Helene de Rothschild and her favorite painting. When she traveled for any length of time or moved from house to house, she would remove this painting from its frame and carry it with her in an oversized magazine. The painting in question was a small Pierre Bonnard oil. (Bonnard was one of my favorite painters even then, He was the subject of the first monograph I bought in 1968 in a used book store). The mention of Bonnard drew me in. The owner was so comfortable with this precious object and so enamored of it that she wanted it with her. This spoke volumes to me about the intimate relationship one could have with a piece of art. That art should not be treated as a commodity, kept in vaults or airless, lifeless rooms, but enjoyed.

The art that I have collected over the years has given me great enjoyment. I have sculptures made of fabric and of stone, paintings, etchings, lithographs and photographs.

I have a number of found objects that I display in bell jars: hornets nests and bird skeletons amongst them, butterflies, turtle shells and stuffed birds that live well amongst the pictures hanging nearby. I find them beautiful. The thread that unites the different works is nature- in many guises. I find the works of others evocative-the way the artist approaches the subject-often in a manner quite different than my own. I enjoy the individual way artists have framed a view, manipulated their subject, used light. The work informs me, educates me, inspires me. It enhances my life, everyday.

It is only recently that I have been able to see the disparate things I have collected as a ‘collection’. Over time, it has become clear that the art I have ‘works’ together. The pieces complement one another: Tom Zetterstrom’s tree photos and Walton Ford’s birds, Lucy Gray’s portraits with Cynthia Atwood’s sculptures. (The women artists – so sexy!). These works are daily companions.. Paintings hang where I want to see them – in the bathroom, in the kitchen, valuable next to found, 21st century side by side with the 16th century or the 19th. They inform and delight me and help make my house a home. They also tell a story about where I have been, what interests me and what I value.

Summer

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photos by © sabine vollmer von falken
book project: Woodland Chic by author Marlene H. Marshall
Storey Publishing, available 2010